7/7/2023 0 Comments Utopia for the realist![]() ![]() ![]() Specifically, architecture was regarded as the highest form of art since it reflected how the individual could be transformed into the collective through spatial aesthetic experiments. The second point Billiani made was that the regime advanced a tri-partite understanding of the arts – the literary novel, visual arts, and architecture – as part of a constructive endeavour.Īs a mode of art that engaged directly with the public, architecture had the capacity to shape the state’s aims for a national culture and identity. More generally, the Fascist period was shaped by a collective pursuit of new artistic and visual languages conducive to artistic modernity. The first was the relationship between architecture and the Fascist anthropological revolution engineered by the regime – or, in other words, the transformation of human community into Fascist citizens. Francesca Billiani started off this research seminar with a lecture on ‘Realist Utopia: Houses and Neighbourhoods in the 1920s and 1930s Milan’, followed by a lively Q&A session.Īt the outset of her lecture, Billiani established two major points of focus to demonstrate that architectural projects in Fascist Italy could symbolize how politics and aesthetics ‘found a way of talking to each other’. Francesca Billiani’s lecture: ‘Realist Utopia: Houses and Neighbourhoods in the 1920s and 1930s Milan’ ![]()
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